Brazil music trip.

Well, hi there,
In my last post I explained a little bit about the plans that Matthias and I have. Next year in october and november we are going to travel to Brazil to film and record rhythms and techniques from Brasil.
Our focus will be on the rhythms from Bahia and the beautiful pandeiro.
In the past weeks we have practiced our camera work and working together. So we filmed a choroconcert in Rotterdam, which was fun to do! The purpose is working as a team and learning how our camera's work. So when we arrive in Brazil we are not only good percussion players, but also a good filmteam!
Working together with camera's is completely different then in music. Music for Matthias and me comes naturally. We found out that camerawork takes a lot of preparation. To get the same colors, volumes and shots is difficult. I think we made many mistakes, but it is good to see those silly mistakes.... We still have a lot to learn.

We are also trying to do some crowd funding and this is new for us too. Okay, it is important for our project to succeed and here we have to learn too. Let me explain what we are going to do with all the information we get in Brazil.
Matthias and me are both teachers. Matthias teaches on EPM Holanda and I have a percussion school: Sambalanço. We both give workshops on schools and to groups (amateur and professional).
We are going to make 2 different e-books with music, audio, film and music notations. The good thing about e-books is that it is easy to download and to spread all over the world. We will write it in different languages, so it becomes easy to understand.
There will be coming a book about the pandeiro. There are many styles of playing like samba, coco, forro ect. All are with different techniques! So we will travel from Pernambuco to South Brasil to visit the masters on pandeiro with their rhythms and styles.
The other book will be about the Bloco's Afro. The rhythms that are played by: Ilê Aiye, Olodum, Timbalada, Malê Debalê ect.
In both books we will put background information about the history and the development.
Of course Youtube will also be important to share our information and to let people all over the world know what beautiful music is made in Brazil!

We are happy with all the help we can get. If you want to support us you can donate on my website: http://www.michaeldemiranda.nl/tutorials-contents-eng.htm. If you note that it is for the Brasil music trip, it will be fine.

We will keep you informed about our developments! Thanks!
Michael de Miranda.

Blocos Afro from Bahia

Bahia

The last few months I have been working with Matthias Haffner. He is a great percussion player from Germany, living in Rotterdam. Together we made some good lessons about the pandeiro.
Well, we are planning to go to Brasil next year! Matthias is going to help me making a book (and filming, recording) about the Bloco Afro in Bahia!!! Bloco means group.
In Bahia you have a lot of good groups like: Olodum, Ilê Aiyê, Muzenza, Timbalada, Malê Debalê ect. They all play very nice rhythms, but unfortunately there is still no music book with the beautiful rhythms they play.
There are good books about samba's, but the samba-reggae's, afoxés, Ijexá ect. in the styles of the Blocos? I haven't found them yet.
So, this is what I want to do, write a book about these Blocos!
Next year in October and November we are going for 2 months to learn, study and write down their music!
Matthias has also an other goal, he wants to make a documentary about pandeiro players, old and young ones. There are many different styles of playing. Of course samba is famous, but you also have the forro-styles and Coco and more. To see and film the different players we will go to Rio de Janeiro, Salvador, Pernambuco ect. So, we will travel through Brasil with our camera's and recording equipment!!
We have 1 year to prepare ourselves. We already have some good contacts in Brasil, but we need more. We both have to study our Portugese.... We have to learn to be a good cameraman (we start next week with this) and of course we need money. We understand it will be expensive, so we have to do crowd funding and raise money in other ways.

We are really looking forward in doing this and of course if you have some good advice or tips for us, let us now. We can use all the help we can get!!

I'll keep you posted on the developments!

Percussion cultures

I think, it was about 30 years ago that I started to play percussion. I was playing drums in our family band and my father said to me: Michael we are playing latin music, why don't you try to play these congas? This is how it all started for me.
I went to Rotterdam to study at the Conservatory and in my first year a great Cuban master (Justo Pelladito) came to give 2 weeks lessons to us. He left us with a lot of patterns for bata, congas and other instruments. Of course me and the other students practiced all the patterns in the years after he had left.
In 1989 I went to Cuba to study with Pelladito and other masters. Pelladito told me a lot about the different rumbas. Which way did they play in Matanzas, what is the difference with Havanna, how did the rumba get in Santiago de Cuba and so on! So I thought, those tumbadores are very, very important in rumba and you have to know how every pattern is in each rumba. My focus was still on the patterns, did I have the right timing, was my sound good ect.
The funny thing was, when I attended rumba parties in the street or when I went to the Sabado de rumba, I was told that rumba was not about the patterns for the tumbadores....... It is about the songs and about the dance!! The lyrics about social or political issues and the way of dancing are the main thing in rumba! This put my conga drumming in a complete different perspective.

This experience made me wanted to travel more and more to the countries with a strong percussion culture. I still wanted to learn the patterns from all kind of rhythms, but I was also more interested in backgrounds of the rhythms.
So I travelled to Africa (Senegal, Gambia) to study sabar and boucarabou. I just wanted to find out about patterns (still) and the context. The same with Brasil, I went to Recife for maracatú and frevo, to Salvadar da Bahia to see the bloco afro's and candomblé and to Rio de Janeiro for the escolas de samba.
Traveling to those countries gave me so much more information about the historical context, social aspects, ect. of the rhythms.
Do I use all this information when I teach or when I play in bands? No, in the end I'm still teaching and playing patterns, but it gives me a good feeling to carry this extra information with me. So if people all over the world ask me questions about rhythms I teach on Youtube, I'm glad to have information about the backgrounds. Of course, I do not know everything and I am always open for more knowledge about the percussion world!